Sunday, September 2, 2018

Just Begin? How Do I Do That?

Beginning this post embodies everything Cameron and the NCTE committee talks about. The inevitable fear of beginning any piece of writing whether it be digital or physical writing with some writing implement. Cameron's suggestion on "just beginning" can be very difficult for some students. As for an undergrad aspiring English teacher, like myself, just throwing your thoughts out there can be a very practical way to get your ideas down and then revise when necessary. The main issue is that many students regardless of what grade their in have this innate feeling that in order for their writing to be "good", it has to be perfect. Basically, "we try to do it 'right'. We try to sound smart. We try, period" (The Right to Write Cameron 3). We must find a way, "To resolve a tension between writing as generating and shaping ideas and writing as a final product (NCTE). Both Cameron's piece and NCTE's article convey that writers of today are held back by doubt and fear of their writing not being "good" enough. Writing is not strictly for receiving credit but should be viewed as a a tool for thinking and an act of discovery (NCTE).

                                            


We find it necessary to have, "validation from others that [we] are writers. The [writers] passport is stamped in ways that indicate they are writers" (The Right to Write Cameron 7). Without this, we are unable to associate ourselves with being a writer. I relate to this notion that it is difficult to recognize yourself as a writer because of these "myths" that subconsciously make you feel as though your writing will never be as valued as these accredited writers. By simply writing, you are a writer. It is important to tear down this high pedestal of what it means to be a writer to show students there is room for them. The NCTE article also agrees that writing is a process. You do not just wake up one day and are an incredible writer who articulates with ease. It comes with practice.  With this practice, we must challenge the way we engage students in their writing to not only become better writers. I personally agree with the NCTE article that we have to show relevance and make connections to the social and cultural aspects of writing. Students feel as though writing is not important until we incorporate writing into their lives. A great example of this is a RAFT (Role, Audience, Format, Topic) below.

                                  
Using this method, you take on different perspective, gear your writing towards a particular audience, and use different modalities to convey a specific topic. In doing this, you allow your class to become more student centered and give the students more choices. NCTE puts it, "you must include ample in-class and out-of-class opportunities for writing, including writing in digital spaces, and should involve writing for a variety of purposes and audiences, including audiences beyond the classroom" (NCTE).  Using this strategy also helps students understand that their is different forms of writing and when to appropriately use them. Not all writing has to be academic writing where, "we are inclined to a rather pedestrian prose denuded of personality and passion, perhaps an even a bit elevated in tone as if writing is something to be done only of the loftiest of motives" (Right to Write Cameron 3). Creating a different formal for students to use allows them to recognize there are other ways to write and will allow students to bring it into their individual lives and encourage them to hopefully use writing in their daily lives. With this in mind, it is also imperative to teach the fundamentals of our "pedestrian prose" of our academic writing. The message I have taken from these readings is to find the balance of encouraging your students to be avid writers as well as reminding your students that writing is an ongoing process.


4 comments:

  1. Bianca, I really love the way you refer to writing as a "practice." Somewhat recently I read an instagram post that spoke to this idea of "practice" in a way that I found to be really enlightening. I want to share some of her words here; however I want to note that she is a practitioner of yoga and not an education related source, but I think the message still holds:
    " "Practice" means that each time will be different..The only consistency is that we show up" (freedivegirl).
    I will link to her specific post below, but I find her definition of practice to be a fascinating one. Personally, I know I have not always remained steady in my writing abilities; some days I can craft paragraphs with little frustration and other days it pains me to brainstorm. This is not to say that there are, or should be, steep loses or gains in knowledge from day to day, but sometimes a practice comes more naturally than other times. I think some students may find they also grapple with this, and maybe, as a teacher, it could be productive to acknowledge the ebb and flow, normalize it, and encourage our future students to keep showing up for themselves on the page.
    I think you articulate this nicely when you refer to writing as an "ongoing process." I am with you on that :) I also really like your incorporation of the RAFT! I only recently was introduced to those and I also think they are great.

    I enjoyed reading your blog post!

    For information/ link to freedivegirl's post:
    freedivegirl. "Practice." Instagram, 4 Feb. 2018, https://www.instagram.com/p/BeyXjfPBnAn/?hl=en&taken-by=freedivegirl

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  2. Bianca, I love the reference you made to the concept of needing validation from others to confirm whether or not we are actually writers. I think that connects back to the conversation we had in class, about having teachers or peers read our work. It's stressful rewarding, and bizarre. To think we feel so much stress and anguish over having someone else read something that we wrote, and doubt our abilities until we actually receive conformation from others.
    I also love what you said about writing being a process, and requiring so much practice. I feel like it's important for us as teachers of youth to remind them that although we are correcting their work, we are also trying to help them develop their skills. We learn from practice and and all have to go through the same process. I love that.

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  3. Bianca, I really liked that you used the word fear in your post. A lot of young writers are scared to fail but they don't even actually know what failing in writing means. Students often think that a muse just descends from the sky and all the words will come if they are worthy. The truth is that they have all the answers even if they haven't unlocked them yet. Writing requires that you put yourself out in a public way. When you express something like that, you're vulnerable. When you're vulnerable, you can't relax because you're so worried that someone's going to pass judgement on you. That's why as teachers it's important to create spaces where it's okay to talk about things. That drafts are an important step in the writing process and everyone does them (or they're supposed to anyway) and nothing is perfect.

    Once a student of writing has worked through the practice stage where they build up their confidence and ability to structure their points, then they can look for the attention to style and capturing that tranquil visual experience that writing can become. thew allure of that type of narrative woven in and out of academic writing is that when the prose becomes something more than pedestrian, the reader becomes receptive and forms that listening state of mind that is so important in reading comprehension. We're not teaching students who to write everything in an essay format for the rest of their lives. We teach them how to persuade, how to charm, how to assemble great observations about what they see out in the world.

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  4. Bianca,

    Sorry I didn’t reply to this blog before. I overlooked this one. I wanted to let u know that I like the RAFT very much. How you explain is so easy to understand. My students are having hard time in the beginning of their writing experience and often want to finish their work as soon as possible without having a pleasure to revise and edit. How can I charm my students into wanting to improve their work is a tough path for me.

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